Ron Carter Building Jazz Bass Lines Cd Download Torrent Player
Ron Carter Building Jazz Bass Lines Cd Download Torrent Player

By JOHN KELMAN
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Basic concepts of audio either cd package. It was one such journey in a master. Tags: ron carter building jazz bass lines audio, ron carter - building jazz bass lines (book + audio), ron. Download Bass Torrent at TorrentFunk. We have 1000 Bass Music torrents for you! Ron Carter: Building Jazz Bass Lines: A compendium of techniques for great jazz bass lines including play-along CD featuring Ron Carter (Bass Builders) Ultimate Drum Play-Along Led Zeppelin, Vol 1: Play Along with 8 Great-Sounding Tracks (Authentic Drum), Book & 2 CDs. Ron Carter: Building Jazz Bass Lines: A Compendium Of Techniques For Great Jazz Bass Lines Including Play-along CD Featuring Ron Carter (Bass Builders) PDF (Bass Builders). In this book & online audio pack, bass legend Ron Carter illustrates step by step. Including play-along CD featuring Ron Carter (Bass Builders) Ultimate Drum Play-Along Led.

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One of the biggest problems facing contemporary jazz musicians is that they often have far more projects on the go than could ever be recorded and released commercially by conventional record labels—even small and relatively responsive indie labels. Special projects abound, or personnel changes for a tour are forced when members of a regular group are unavailable, the plight of the 21st century working musician being how to remain viable and available. Of course, it's not necessarily a problem, because regardless of the reason, it means that today's leader ends up touring in more combinations than could ever be documented through normal channels—and some of these special, one-time/one-tour projects yield tremendous gold—even leading to further collaboration. If only there was a way the pathological fan could hear all of it.
Fans of sonic guitar sculptor

Bill Frisell
b.1951
guitar

'>Bill Frisell can rejoice, as the Live Download Series is making available a growing catalog of high quality soundboard recordings of performances by groups that have been documented on commercial albums, like the guitarist's first quartet, with cellist

Hank Roberts
b.1954
cello

'>Hank Roberts, bassist

Kermit Driscoll
b.1956
bass

'>Kermit Driscoll and drummer

Joey Baron
b.1955
drums

'>Joey Baron; the sextet responsible for one of Frisell's compositional high water marks, This Land (Elektra/Nonesuch, 1994); and his early 21st century trio, with bassist Tony Scherr and drummer

Kenny Wollesen
drums

'>Kenny Wollesen. But as thrilling as it is to hear a 1989 performance by Frisell and his quartet, performing music from Rambler (ECM, 1984), Lookout for Hope (ECM, 1988) and Before We Were Born (Elektra/Nonesuch, 1989), it's even more exciting to find the hidden gems—previously unrecorded groups like Frisell's trio with organist

Sam Yahel
keyboard

'>Sam Yahel and drummer

Brian Blade
b.1970
drums

'>Brian Blade; or very limited-run tours like a 2005 performance from London, England's The Barbican, where Frisell, violinist

Jenny Scheinman
b.1979
violin

'>Jenny Scheinman and guitarist Greg Liesz delivered a stunning tribute to

The Beatles
band/orchestra

'>The Beatles'

John Lennon
1940 - 1980
composer/conductor

'>John Lennon.
Frisell's sole solo album to date, Ghost Town (Nonesuch, 2000), was a studio concoction that relied on the guitarist's ability to overdub layers of instruments. As undeniably good as that album is, it can't possibly convey the beauty of Frisell's solo shows where, alone onstage—in real time, and with nothing but a guitar, two amps, and a mixed bag of effects—he builds sound worlds as distinctive as his idiosyncratic approach to harmony and melody, and his skewed but somehow reverent interpretation of own compositions, and everything from jazz standard to roots Americana music.
Culled, as they are, from soundboard recordings, Frisell's Live Download Series also transcends the quality of the majority of bootlegs out there. With a CD label, cover art, tray cards and, on occasion, additional video content, the series is offered in three formats: MP3 and AAC for those OK with some degree of compression, to reduce download time and storage space; and, for the compression-averse, a slightly more expensive but lossless FLAC format, to provide CD quality sound (free FLAC-to-WAV converters are readily available on the web). Beginning in November, 2008, the series has ramped up to the point where, with 13 downloadable shows released to date—in addition to outtakes from the Bill Frisell, Ron Carter, Paul Motian (Nonesuch, 2006) sessions and additional recordings from the live shows used for East/West (Nonesuch, 2005)—Songline/Tonefield Productions is now releasing a new show roughly every two months. The most recent download is from a particularly strong 2000 show with Frisell's then-new trio, with Scherr and Wollesen.
For pathological Frisell followers, there's not a weak performance amongst the bunch; for more casual fans, there's the opportunity to cherry-pick, to check out specific groupings or repertoires of interest.
Bill Frisell #001: Recorded Live in Bochum, Germany 05/22/04Songline/Tonefield Productions 2009
The Live Download Series kicks off with a group that's never seen the light of day on record, but consists of a combination of longtime friends and then-new acquaintances, who would go on to become regulars in the ensuing years. 2004 may have been the year of Unspeakable (Nonesuch), Frisell's Grammy Award-winning, turntable and sample-driven collaboration with producer Hal Willner, but there's none of that album's material to be found on this performance with Jenny Scheinman, cornetist

Ron Miles
trumpet

'>Ron Miles, bassist

Viktor Krauss

'>Viktor Krauss and drummer Matt Chamberlain.
There's the opportunity to hear an early version of the vamp-driven 'Lazy Robinson,' which wouldn't appear on a commercial release until 2008's History, Mystery (Nonesuch); and a lengthy version of 'Blues for Los Angeles' that, with Miles' recklessly visceral opening solo, transcends the original trio version on 1998's Gone, Just Like a Train (Nonesuch), and also suggests why, with his lazy, behind-the-beat drumming, Frisell would reunite with Chamberlain for 2007's experiment in sonic collage, Floratone (Blue Note), that's due for a second installment, sometime in 2011.
The quintet's version of the folksy 'Lonesome' is more buoyant than either the original, acoustic guitar-driven version on Lookout for Hope, or the more electrified take on Gone, Just Like a Train, with Scheinman's solo an early reason why she'd quickly become a regular collaborator. There's also an early appearances of alt-folker Lucinda Williams' lyrical 'Ventura,' which has never appeared on a commercial Frisell release; ditto

Bob Dylan
b.1941
vocalist

'>Bob Dylan's 'Masters of War,' which shows up on other Download Series releases. Driven by Chamberlain's firm backbeat, it's a showcase for Frisell's remarkable interpretive ability to take a simple song and, through his quirky, outré harmonies and jagged, distorted tone, turn it into a potent show-stopper and set closer.
Bill Frisell #002: Recorded Live in San Francisco, CA 03/16/07Songline/Tonefield Productions 2009
Recorded at Grace Cathedral in San Francisco, the second installment of Frisell's Download Series presents the guitarist at his most intimate...and most vulnerable. By 2007, Frisell had honed his ability to self-accompany with looping to such a sophisticated extent that it's hard to believe there's only one guitarist delivering a subtle but attention-grabbing version of Curtis Mayfield's classic, 'A Change is Gonna Come.' Frisell's remarkable patience allows the song's form to evolve slowly, almost inevitably, with his warm tone—expan

Ron Carter Building Jazz Bass Lines Cd Download Torrent